Dedy Sufriadi’s First Chinese language Solo Exhibition

Dedy Sufriadi’s First Chinese Solo Exhibition

Tabula Rasa represents an essential milestone in Dedy Sufriadi’s profession. Previous to this, he had solely ever been featured in Chinese language artwork festivals that Artemis Artwork took half in. Now, along with his first solo exhibition in Asia’s largest artwork market, Sufriadi is showcasing his distinctive model of summary works which specific his innermost ideas by means of a mixture of naïve figurations and texts. Tabula Rasa opened on 2 April and can run until 9 Might, that includes 25 specifically curated items from Sufriadi’s intensive catalogue.

A Grasp of the Summary

Born in 1976 in Palembang, Sothern Sumatra, Dedy Sufriadi displayed an affinity for artwork at an early age and had begun portray significantly whereas enrolled in Senior Excessive Faculty for the Arts (SMSR) on the age of 15. In 1995, he enrolled within the prestigious Indonesian Institute of the Arts or Institut Seni Indonesia (ISI) in Yogyakarta, majoring in portray. It was throughout this time that he started to showcase his works by means of exhibitions. In 2013 he furthered his inventive training and attained his Masters diploma from ISI.

He quickly gained recognition for his radical and expressive fashion of summary artwork, characterised by a refusal to be pressured into anybody style. Sufriadi famously utilises an amalgamation of naïve figurations, symbolism and variations of textual content to create a distinctly hybridised inventive language.

One particularly distinctive facet of Sufriadi’s artwork is his use of textual content. Since starting his college training at ISI, Dedy Sufriadi has been an avid reader and is especially well-read in existential philosophy. He has consumed works type the likes of Friedrich Nietzche, Søren Kierkegaard, and Martin Heidegger which closely influenced his artworks. This love of studying carried over into his artwork with Sufriadi together with texts as a way to raised convey data.

Through the early phases of his inventive profession which he dubs the Existentialist Interval (1998 – 2004) Sufriadi’s use of textual content was extra distinct, permitting the viewers to simply make them out. These texts had been used as an “added various to beat problems with visible understanding”, as Sufriadi strongly believed that image tales with texts had been simpler to grasp.

Dedy Sufriadi – Ars Longa Vita Brevis 2b (2016) – Oil, Oil Stick and Marker on Canvas – 150 x 150 cm

This use of textual content ultimately advanced as he questioned when and the way texts had been utilized in portray. Following this philosophical research, Sufriadi’s utilisation of textual content in his work grew to become much less distinct, that includes a mixture of Roman, Chinese language, Arabic and different alphabets, randomly layered and positioned, changing the strains and colors typical of summary expressionist works. Consequently, the texts utilized in every portray had little to do with one another, eliminating the relevance of their literal meanings. Sufriadi’s intention was to provide his audiences management over their contextual understanding. The randomised layering of textual content allowed the creation of an infinite mixture of visible cues which viewers might decide up on and interpret the paintings in numerous methods. By means of this, Sufriadi was in a position to freely specific his many philosophical concepts and observations in his work.

Clear Slate

This newest solo exhibition is an embodiment of Dedy Sufriadi’s concept of uninhibited expression. The exhibition’s identify, Tabula Rasa represents John Locke’s philosophy that every one human beings are born with none innate psychological contents, selecting up concepts and figuring out our personal roles as we journey by means of life, making us in impact, natural clear slates. In step with this philosophy, Sufriadi begins on his works devoid of any preconceived concepts of how they need to be, typically intuitively using some unconscious automatism, and easily flowing along with his ideas, guided by instinct and his 20 years of inventive expertise.

Dedy Sufriadi – Am I Rock (2018) – Acrylic, Marker, Oil Stick and Pencil on Canvas – 40 x 40 cm
Dedy Sufriadi – Tabula Rasa (2018) – Acrylic, Marker, Oil Stick and Pencil on Canvas – 150 x 150 cm
Dedy Sufriadi – Resort thirteenth (2018) – Acrylic, Marker, Oil Stick and Pencil on Canvas – 40 x 40 cm

Sufriadi lets his creativeness and instinct run free, creating totally different layers of paint after which if the temper strikes him, scraping them off and repainting them, progressively placing his soul onto the clean piece of canvas. After which, he employs his signature use of textual content, which replaces the road components so typical of his earliest works and different summary expressionist items. The ensuing artwork, such because the 25 on show, could appear simplistic, random and even messy at first look. Nonetheless, each minute spent observing the portray reveals a brand new layer of expression and emotion as our minds put collectively the totally different phrases and colors into an infinite variety of emotional and philosophical equations.

Dedy Sufriadi – Hole Man (2019) – Acrylic on Canvas – 40 x 40 cm Dedy Sufriadi – Hole Man (2019) – Acrylic on Canvas – 40 x 40 cm
Dedy Sufriadi – Monalisa (2019) – Acrylic, Marker and Pencil on Canvas – 70 x 60 cm
Dedy Sufriadi – Man From Digul (2018) – Acrylic, Marker, Oil Stick and Pencil on Canvas – 30 x 30 cm

Tabula Rasa, Dedy Sufriadi’s first solo exhibition in China, is the inventive embodiment of the clear slate that’s the human soul. By means of this collection of artworks, specifically curated by the exhibition’s curator Wan Jun, Dedy Sufriadi takes viewers on an introspective journey by means of his innermost ideas.

Tabula Rasa is being held from 2 April to 9 Might at 326 Cao Changdi Worldwide Artwork District, positioned within the ChaoYang District of Beijing. For extra data, try Tabula Rasa Gallery’s web site.

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Written by LessDaily.Com


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